Writers Conferences How To

Warning

This blog is from our book, Don’t Write Like We Talk, which in turn,  is not a compilation of podcast transcripts (Newbie Writers Podcast), hell, it’s not even our show notes.  The book is a collection of blogs, essays, and presentations that capture the essence of what we learned in the last five years and what we want to pass along to new as well as experienced writers.  And in the spirit of the project – read here twice a month and you can learn everything we know for no financial outlay.  Be our guest. 

   

How to Rock a Writer’s Conference

There are many conferences to choose from. And those wonderful conferences are often held in fabulous exotic locations. Who wouldn’t want to spend two weeks on the beach in Mexico “writing”?   

Don't Write LIke We TalkWriting Conferences are shorter and less expensive than earning a full-blown degree in creative writing.  By a number of years.

But even though they are shorter, some Conferences only less expensive than a low-residence MFA by a $1,000 or so.

I know reasonably famous authors who love to travel and so attend as many conferences as they can be explaining that they “write off” the trip on their taxes. Yes, you can claim a writing conference as a business expense. But you still need to pay for the flight, hotel and food up front with a cold, hard Master Card, so let’s not kid ourselves and call it a savings, or even clever financial planning. Conferences are expensive, both for the speaker and for the attendees.
So choose wisely.
Advantages of attending a conference:

There are many conferences to choose from. And those wonderful conferences are often held in fabulous exotic locations. Who wouldn’t want to spend two weeks on the beach in Mexico “writing”?
Writing Conferences are shorter and less expensive than earning a full-blown degree in creative writing. By a number of years.
But even though they are shorter, some Conferences only less expensive than a low-residence MFA by a $1,000 or so.

Disadvantages:
Writing conferences are not immune to the techniques of the most expensive and obnoxious sales pitches that claim that you can, in no particular
order: Instantly build your business! Learn the techniques of the stars! Double
your income! Double your life! Three days of excellence! Save $100 when you
register now, now, now!
All for the low, low price of $2,000 for the conference, $1,500 for the hotel
room and $16.00 for the glass of indifferent Sauvignon Blanc. Not counting gas.

You don’t care.

Writing conferences should be approached with caution and purpose.
Before you save all that money and sign up for a conference TODAY, SAVE
NOW, consider what you want from the conference first. Do you want to just experience the conference life? Do you want to meet an agent? Do you want to spend a week working with a particular author or poet? What are the takeaways? Or, as my husband insists on asking, what is the ROI?

There are writing conferences, like the San Francisco Writer’s Conference. And there are workshops, like the Squaw Valley Workshop, the Napa Valley Workshop, and a summer of Iowa Workshops.
Workshops are typically focused on writing and craft. You, as a participant are vetted and often need to submit your work in progress before gaining entry to the workshop.
You will stay in a lovely place, meet with a famous author for five or six days in a row. Make new friends, and write. At lot.
Workshops often include dinners and evening lectures.

Conferences focus a little on craft and mostly on promotion and publishing. These conferences have no barriers to entry except time, money and space. The SFWC for instance sells out early due to limited space (the conference is held at the Mark Hopkins in SF, and it’s small, as conference spaces go).
You will have a chance to learn about craft, the writing life, and listen to the popular lecture, I am famous because I was really lucky. Often a version of Agent Speed Dating will be included.
There are lunches and dinners, often at an additional cost. There are often receptions and after-hours activities at no additional cost.
If you are just considering this writer’s life, or life-style, a local conference will do just fine. Look for a writer’s conference close by to reduce the cost. Unless you very much want to experience Iowa in the summer.

Know your goals:
If your goal is to just go and experience the writer’s life, that counts.

However, if you have a purpose, state it. Know what you are going for. Do you long for contact with real literary agents? Look at the list of agents participating in the conference. No agents at this one? Don’t go.

If a favorite author is the keynote speaker and you want to see her (maybe meet her, maybe get a book signed) before she dies. Go.
Make sure she is really on the schedule. Are there words like “possible,”?
“chosen,” “may show,” “they drove by our office and that counts?” If the famous author appearance isn’t guaranteed, stay home.

Do you want to get down and dirty with real editors who will really review your fabulous manuscript? Is there an additional cost to meet with an editor?
Again, check out the conference list and know that often those meetings with editors or agents are by reservation only and may even take place the day before the actual conference, so check that carefully, or you’re into the expensive hotel for another day — and another glass of wine.

Do you want to meet publishers directly? Is there a list of publishers shown on the conference flyer or website and will they be there? Or are they attending just to sell off inventory? Who are the publishers? Do you recognize their companies or are they all from the Author Solutions where they will cheerfully guarantee that, of course, they will publish your book — it’s only $4,500 for the basic package.

There are some fabulous conferences for writers, and most conferences are held during the summer months because they meet at college campuses. You can travel to Iowa, you can travel to Adelaide and all places in between.

What to do once you are there.
Make friends with other attendees. I know you want to meet that famous person, that famous author, that agent! You want to make friends with that agent!
Meet them. Shake their hand. That’s going to be the extent of it.
Who you really should make friends with is that woman sitting next to you. You, the members of the audience, are often in the same boat. Make friends with these people. They can be the first members of your new writing critique group. Or a mutual promotion group (you support each other’s book promotions). You will likely see them again next year if not sooner. This is your chance to create real connections, not with the authors who have already succeeded, but with authors who, like you, are working their way through the process. Meet and greet, this is your tribe.

What not to do
I speak at conferences and I volunteer at conferences. I would like to nip a few bad habits in the bud if I may.
Here is what drives speakers and volunteers crazy:
Conference attendees who march around with their manuscript thrusting it at unsuspecting agents, author and volunteers like a weapon.
Conference attendees who have nothing to say except to complain about the food. It’s banquet food. It’s not gourmet fare and wasn’t advertised that way in the first place. The food will keep you going. It’s the best that can be had for the price. If you are a gourmet chef, you may have something to comment on, otherwise, the cost of your meal is paying for the room, the speaker and the wait staff, not just that chicken breast sprinkled with two olives and some rosemary. If you can cut the chicken with the knife provided, it’s a win – get over it.
Conference attendees who waste valuable networking opportunities bitching about their room or roommate.
Conference attendees who meet a pre- published author and dominate that conversation by bragging about their own agent, their own six-figure advance or their movie deal. If you are that famous and successful, what the hell are you doing at a conference? Move on to a TEDx conference and deliver your ‘I’m- Famous- Because- I- Was-Lucky talk there’.
Name dropping, especially if you’ve only heard the name, not met the actual person.
Not helping. Help people, encourage that young girl to speak to the agent. Help that small elderly lady find the workshop room.
Here’s what I really hate, the author who stands up during the five minutes Q & A and delivers a lengthy autobiography and/or lengthy descriptions of his upcoming book plot that, surprise, people can purchase from him at the end of the lecture. Do you have a question? Is it relevant? Then ask. But this is not the place for grandstanding. It’s an effective way to be remembered. But you will also be stabbing that chicken breast all alone.
Not having a 30-second elevator speech to promote their book. A word about this. The reason you want to have a 30-second summary of your work in project ready to go is to prevent you from wasting 30 minutes explaining the plot to me. Summary is good – blow by blow is bad.
I dislike conference attendees who disrespect the volunteers. First of all, it’s just bad behavior. Second of all, you don’t know who is volunteering. Many of volunteers are also speakers, or agents, or friends of the conference organizers. There is nothing worse than meeting an agent during an agent speed dating session and realizing, with some horror, that fifteen minutes ago you handed them your dirty coffee cup and told them to put it somewhere.
Conference attendees who stalk agents to the point of pushing their manuscript under the stall door in the women’s room.

But even the best conference will not help you if you don’t know what you want. And the best agents and editors can’t help you if you don’t have a completed or mostly completed manuscript to send them.
So before you sign up and buy the plane tickets, get focused. For all the money you spend, make sure there is a purpose to your conference experience. Write down the deliverables and try to full fill them during your two or three days. If you just want to have fun – fly to Hawaii. Or Australia, Australia is very nice.

Newbie
Never been to a writing conference before, certainly not paid for one. From an outsiders’ point of view, it seems like a good way to waste money and valuable time you should be writing. Perhaps this would be classed as “research” by some?
Prompt
Write a dialogue between two of your favorite characters. Snow White and Cinderella, Eloise and Ramona, Batman and Superman. Or think of your childhood favorites, what are they doing now? Write up fan fiction that fills in the grown up life of a character like Pipi Longstockings, Richie Rich, Bart Simpson. Do it well enough and you end up with a block buster like “Wicked”

 

Don’t Write Like We Talk
What we learned after five years and 200 episodes
interviewing Authors and Agents, Publishers and Poets

Damien Boath & Catharine Bramkamp
Authors and podcast producers of the Newbie Writers Podcast.

Learn more about writing:
Newbie Writer Podcast on iTunes
Don’t Write Like We Talk – on Amazon

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You Are Not Alone – because you can’t be.

We all know the legend of Jack London the adventurer and prodigious writer.  He is held up to authors as the epitome of the writer’s work ethic, publishing 50 fiction and non-fiction books and hundreds of articles.  He made his living by writing and always, always writing at least a 1,000 words a day.  That is an impressive output not only for the number but for the consistency.  1,000 words!

Many people help bring a book to lifeOn first glance, London represents impossible goals. Fifty books!  But how could anyone match that?  You can.     

Recycle

Both Jack and his wife re-purposed their adventures into many version of essentially the same book.  The travels of the Snark inspired a number of related books all covering the same material including Charmaine London’s version provocatively titled:  Woman among the Head Hunters.  Like so many best-selling authors, London created many books from a single theme.

But still, he wrote and he sailed the adventures, he had the ideas.  All deserving of praise and acclaim.  I love his work, no question.  But I also don’t want any author to think that Jack woke up each morning at Beauty Ranch and simply created his literary success all by himself.

He did not.

Let’s begin with that 1,000 words a day.

Clear the Decks

No matter the guest count that week, no matter what the crisis at the ranch, no matter what was for breakfast, Jack wrote.

His work supported the whole enterprise of course, and writing was his job.  But do consider who made those 1,000 words a day possible:

His ranch manager.

The Staff

The ranch workers and their families

His wife.

The cook.

Someone took care of all the daily challenges that arise on a working ranch.  Someone make breakfast and cleaned up afterward.  His wife protected his time and entertained the weekend guests until Jack was finished.

Use a Typist

Jack could write, but not fast enough. He worked out his books long hand.  It was his wife, Charmaine who typed up the drafts of the manuscripts, editing along the way.   She was involved in his work from the start and wrote her own stories after his death.   

Even in the creation of his books, Jack was not working alone.

Now that I’ve thrown poor London under the bus, here are more people nestled in the anonymity of the acknowledgments page of most books.

Researchers

Research comes from volunteers, helpers, or paid professionals.  For authors, everyone and anyone is a resource.  Jack discovered those stories on the islands of the  South Pacific, and the bars in Alaska.  Some authors who write multiple books a year,  hire profession researchers.    If you are very lucky, you can exploit your own high school children as research assistants and pretend it’s an educational experience.

Room Of Your Own

Behind every great writer is a spouse keeping the children quiet, or a beloved aunt who left them enough cash to live on while they worked.   I have a husband who supports the arts.  We all have some kind of help.  Don’t think authors are doing this all on their own.   

Editors

There could be up to three people involved in the editorial process.  Authors need editors. From Beta Readers to Copy editors,  these wonderful people are critical.

Promotors/PR

A group or an individual needs to promote the author.  An author often does this work herself, but again, if you are published consistently enough, or are lucky to have a team at your disposal, a PR expert is key to the success of the book.

Social Media

First, you need to start up the social media projects, then if you are lucky and I mean that – lucky – you will collect rabid fans in the thousands who will spread the word about your project or book.  These fans are unsung and unacknowledged and increasingly, critical.

Agent

In Jack’s day, literary agents were more like a personal manager.  Agents protected the author, negotiated for better royalties, negotiated with the publishers and the press, sometimes advanced the author funds out of the agent’s own pocket and helped the author decide on the next book.   It’s different now, but also the same, successful authors have that team member.

Publisher

All authors need a delivery system for their books.   It can be done through one of the big New York publishers or the largest one of all – Amazon –  but again, people behind the scenes are assembling your book and shipping it out and sending you money.

Booksellers   

If your book is featured in a bricks and mortar store, the owner and staff of that store will help sell your book.  Smart authors do not forget this.   In Powells (Portland), there was a note tacked onto the end of a bookshelf –   a  card from Sue Grafton.  T is for Thank You.

Artists

Can you design your own book cover?  Canva options aside, no you can’t.  Get help.  Those beautiful book covers illuminating pages of Amazon offerings?  All professionally done.

A section in Poets and Writers magazine lists new and noteworthy books.  The listing includes the first line of the book, then the top people involved in bringing that book to readers:   Publisher – Author – Agent – Editor – Publicist.  It takes a team, or even in some cases, a village.

London had a village.  Virginia Woolf had a village.

It takes a rather large population to bring a book to market.  We think of writing as a solitary affair and the American myth of complete self-sufficiency is still very powerful particularly when it comes to writing.  But the myth is wrong.  Authors not only need to be competent at their work, careful in their craft but also able to coordinate the multitude it will take to bring a book to market.

It’s daunting but nice to know we are not alone.

This first appeared in Writer’s Fun Zone.

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The Fun of Fake Research and How to Avoid It

We know what we believe and no pile of facts or expert opinions will propel us out of our comfortable Lazy-Boy of certitude.

But we are missing one of the greatest joys of writing: research.research in times of Fake News

Even if you disagree with every fact you uncover, research is fun, researching for a book or article can become the project itself, every bit as agreeable as an afternoon spent on Pinterest.

Oh look, puppies!

I teach a class on critical thinking and writing so much of my rant about research and the veracity there in, is to prevent students from  quoting urban legends or common wisdom, or FOX news.  Yes, you say, still seated comfortably, perhaps pulling a beer from the cooler embedded into the chair arm, but research is just for academics, I write fiction, no need to research, it’s my world building against yours.

That was BG.  Before Google.  In the happy past, women knew their place, white men made a living wage tightening wing nuts and  fiction writers used to be more or less exempt from research, it was our world after all, get over it.  But like the wing-nut tightening business, the industry changed.     

Everyone can look up everything.  Which means that you, the author, need to be more diligent with your facts and claims and yes, do more research, which will lead to the problem stated above, the more you love the research, the fewer words will end up in your final book.

So we have two challenges:  You need to do research, but  the research will quickly take on a life of its own through no fault of yours (puppies).

What to do?

  1. Haul yourself out of the recliner.
  2. Limit the research to three credible sources.
  3. Look for consensus and then just write from there.

Credible?  How the heck can I know what is credible?

Ask a couple of questions about the site, or journal, or white paper you’ve just encountered on your digging search:

Commercial or Academic? 

Is the information you found   just advertising copy?  Double check against another site to be sure.    

Links to corroborating sites.

Look for links to other sites – often academic and legitimate sites cheerfully link to more information or to deeper sources.  Flow the links from  one site to the next to next.

For an academic paper your goal is to find the original sources, kind of like finding the source of the Amazon.  Sometimes it feels like it takes that long as well but it’s worth it, just to be very clear.

Can you find the original article? ( I’m looking at you Huffington Post.)

Dig deep and find the original article or journal rather than just believing, and quoting, the first time you see the comment.   

Yes, you can start with Wikipedia

Believe it or not, as much as academic denigrate Wikipedia  Wikipedia isn’t a bad way to start  your research.  Just don’t end there.  Ever.  Yet, the OED was essentially crowd sourced, and Wikipedia is gaining legitimacy.  However, I’m still a fan of digging deeper.

Contact the author.

Is there an email?  Can you contact the author of the web site or journal article?  Can you ask them a direct question about what you need to know?  Probably. Give it a try. You know yourself that you love to be considered an expert in your field, give that compliment to another author, they may respond with   great information.   

Or did the author of the web site post  a selfie  wearing a colander covered in tin foil? A professional tip: don’t reference that site.

If you are writing  fiction, you may want to write the novel first, then research only what you need to research. That will help narrow your search and allow you time to actually write, rather than  just research as fun as it is.

Oh, and did you know you can create pin boards that track your research, discuss your work in progress and are all about your book?   Sorry.  Now you’ll never get that book started . . . But aren’t the puppies cute?  Make a Pinterest board.

Your Book Starts Here web siteTo learn more.
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The Agent Pitch

How to pitch to an agentI had requests to post the notes from the workshop I just gave for Agent’s Pitch Day.  Here they are.

Congratulations, you are here to move your book forward – this is exciting and a wonderful opportunity. And nerve wracking.
I am here to help you make the most effective use of your five minutes with these lovely agents and publishers.
They are here to find great ideas, great books and great authors. Remember this is a business. They want to be able to sell you and your book to it’s specific public.

They are looking for the right fit.

So know, right now, that this isn’t a beauty contest. This is not a win/lose activity. If there is a fit – celebrate! If there are no fits, you’ve learned valuable information and can make more choices for your book publication life later this afternoon. After dinner. Maybe after a bottle of wine.

Here, from Andy Ross, is what these Agents and Editors would rather not hear

• Reading from Note Cards
• Presenting a memorized talk
• Explaining the entire plot of the book
• Telling the agent that this is the next best seller
• Telling the agent that your book will make a great film.

Here is what we will help you with.
• Figuring out and delivering what your book is about which is different than the plot
• Delivering that essence of the book and your platform in a few words.
• Expressing why you are uniquely qualified to write this book – your qualifications.
• Creating an answer for promotion.

Don’t worry about perfection, that’s not the point

Agents are here because they want to see you in person, so as much as you can, be yourself.

Just in case you end up before an editor who did not list your subject in their “want” list, talk to them anyway. Use your 5 minutes to ask them what they are looking for. What is selling? What genre is hot and what is the up and coming genre? Do they know anyone who would be interested in your book?
Tell them a bit about your book anyway.
Breathe.

What is the book about?
Social justice?
Sex, Drugs and Rock and Roll?
The clash between expectations and reality?

Rather than list off plot points in chronological order, what is the book’s essence?
There is a reason films cycle around a single idea or protagonist. We can say, Oh Spiderman, and we are done.
How can your idea and book fit into that tiny frame?

Who are you? Have you won awards? Hiked through the desert?
Do you have a massive Social Media following?
Why are you uniquely qualified to write this book?

Platform, this is the overall reason you wrote a book. Platform is also something on which to build a promotional campaign.

Elements of a good pitch
Hi my name is XXXX and I have written a novel based on my experience doing or being XXXX the novel is about a boy, a girl and social enlightenment and will appeal primarily to female readers who buy both e-books and hard copy novels. I already have a following of 10,000 on my blog of the same name. Would you like to hear more?

Hi, my name is Catharine and I’ve written a YA Science Fiction Time travel book series Future Girls featuring female heroines who escape to the past to change their future. I am passionate about delivering the message that teens can change their future by what they do right now.

I am a college professor with two degrees in English and am growing my Facebook Instagram and Pinterest following using both organic and paid advertising in order to increase interest in these books.

To learn more.
Visit us on iTunes – Newbie Writers Podcast – new episodes start again in January 2017
Check out our upcoming book Don’t Write Like We Talk that will be published eventually. All you need to do is wait . . . Like us.
Subscribe to this blog
Or just follow me on Newbie Writers Group on Facebook
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When Your Characters Go Rouge

From our upcoming book –
Don’t Write Like We Talk
What we learned from agents & authors, publishers & poets

Why characters matter, Catharine BramkampYou have your character all figured out. You’ve even created the hero according to last week’s suggestion of deconstructing the characters in a comic book

Some authors identify their characters by zodiac sign.

Some write extensive backgrounds, time lines, favorite pets, the parent’s story.

We write long biographies for every character who appears in the story.
All of this work can be excellent exercises, and valuable as you flex your writing muscles; however, most writers will confess that their characters, the good characters, are not so easily controlled. What many of us have discovered: as soon as you think you know everything about your character and as soon as you sit down and think, well today my character will drive to the store fight a dragon, and fall in love with the prince — they suddenly will not cooperate.

Like children, fictional characters are strangely resistant to The Plan. You remember the week after your precious bundles of joy showed up? You created the ultimate calendar of success based on the 98 books on child rearing you  read during the last nine months.  You tracked to the hour  developmental benchmarks.  You wavered between placing the child in the advanced  Yellow Tiger class or holding him back for another six months as a Blue Bear.

You delivered multiple children to multiple lessons:  piano, trumpet, bongo. You spent months of your life driving  to band, ballet, tumbling practices. You  spent hours cheering from the side lines during little league, soccer, la cross.  And what happened?  At twenty, your precious bundle announced he wants to be a chicken farmer, an option markedly absent from the Goals List (subtitled Acceptable Careers Mom Thinks You Should Pursue).   

Fictional characters will do much the same thing. Characters in your story   or novel will just blurt out comments, pursue the villain down unmarked streets and race so quickly away from your expectations that you have no choice but to just hold on for the ride.

Take notes along the way.
As traits and details about your characters emerge, just keep track.
Create a running reference list chronicling his coffee preference, her favorite drink, what she hates, what he’s afraid of.
Remember to note her eye color or if she starts flipping back her hair when she’s stressed.
These notes will help with consistency as well as keeping your hero and heroine on track, not your track of course, but theirs.
The picture will emerge. Sketch it out as your character comes into focus.

Someone needs to farm those chickens.   

To learn more.
Visit us on iTunes – Newbie Writers Podcast – new episodes start again in January 2017
Check out our upcoming book Don’t Write Like We Talk that will be published eventually. All you need to do is wait . . . Like us.
Subscribe to this blog
Or just follow me on Newbie Writers Group on Facebook
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Why Your Characters Matter

“First, find out what your hero wants. Then just follow him.”

~Ray Bradbury

Ask me about a favorite book – and I’ll describe the heroine.

We often, if pressed, remember key points of a plot, but what really sticks in our heads are the characters.  We remember the who over the how, and before the what.   

Do we love Jane Austen’s books because of the  intricate plots? Not really.

The story? Please, we know the story. What we love are the characters, the strong women who get into trouble because they blurt out what they are thinking, the handsome hero who is just misunderstood, the spunky friend for whom we wish as much happiness as we wish for the heroine. We may not relate to the plot, but we certainly identify with a well developed character.

Listen to what you say when you play a movie for the fifth time, it’s not

about the plot or the story — you just want to see the hero or heroine again.

“I love him.” You murmur under your breath.

That said, how on earth do you do it?

One way is to open a comic book. (Bonus, the trip to the comic store can be called research.  You’re welcome.)

Comics have great heroes.  Take a look at three or four heroes and deconstruct them:

What motivates them?Why characters matter, Catharine Bramkamp

What do they look like?

What are their tags?

What is their super power?

Their kryptonite?

Love interest?

Why do they wear a mask? (Think of this metaphorically for your own heroine)

As simplistic as is sounds, just taking a look at Iron Man, Batman, and/or Cat Woman can give you a strong idea of how to create an equally strong character.

Once you have your character, start throwing obstacles at them, and watch what they do.

To learn more.
Visit us on iTunes – Newbie Writers Podcast – new episodes start again in January 2017
Check out our upcoming book Don’t Write Like We Talk that will be published eventually. All you need to do is wait . . . Like us.
Subscribe to this blog
Or just follow me on Newbie Writers Group on Facebook
And Instagram #catharineBramkampWriter
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The theme is, Catharine Bramkamp

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First Step towards Writing a Book

Don’t Write Like You Talk
What I learned from agents & authors, publishers & poets

Clients often ask, what are the steps to writing a book?

There are steps and there are steps.  Writing is personal and interesting and quirky. That is why there are so many books about writing, that is why there are so many suggestions, that is why I’m part of the problem.Article on the first step to writing a book

When you are stuck writing – and if you’re reading this, you are, mosey over to Pinterest.  There are countless Pinterest boards devoted to writing – from pithy quotes to fabulous infographics on how, what, who, colors, better words that “said”, better words that “you”.  A nice selection of information and help.  I have Pinterest Boards on writing so you can check them out. But I’m not the only writer on Pinterest.

In case those  nifty infographics do not inspire –  here is the first basic writing step.

(Just to continue the metaphor – no one learns to walk without falling down. A lot.

Remember that as you take those steps towards your writing project.)

Step 1 – start small with embarrassingly low stakes, goals and expectations.

I’m not kidding. 

Examples of good first step goals.

  • Today I’m going to think about my writing for ten minutes while standing in the shower
  • This month I will write for 1/2 hour.
  • I will stop talking about my novel (since I suspect my friends are bored with the plot already) and instead write down all the ideas that I like to discuss when well into my fourth handcrafted stout.

You may think, that’s just insane, those aren’t real goals, I have never seen an infographic listing goals like that.

Yes they are. Any activity that gets  words out of your head, out of your summary speech for the academy awards which you know by heart, and onto paper, is a good activity.

Start there – take an initial step, clutch the back of a chair for support.  Then tune in for additional steps right here.

To learn more.
Visit us on iTunes – Newbie Writers Podcast – new episodes start again in January 2017
Check out our upcoming book Don’t Write Like We Talk that will be published eventually. All you need to do is wait . . . Like us.
Subscribe to this blog
Or just follow me on Newbie Writers Group on Facebook
And Instagram #catharineBramkampWriter
And Pinterest Catharine Bramkamp
The theme is, Catharine Bramkamp

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