Who is Talking? Trouble with POV

Don't Write LIke We TalkWarning

This blog is from our book, Don’t Write Like We Talk, which in turn,  is not a compilation of podcast transcripts (Newbie Writers Podcast), hell, it’s not even our show notes.  The book is a collection of blogs, essays, and presentations that capture the essence of what we learned in the last five years and what we want to pass along to new as well as experienced writers.  And in the spirit of the project – read here twice a month and you can learn everything we know for no financial outlay.  Be our guest.   

POV, Who to Blame?

Point of view is the relative identification of the narrator with the character.  Point of view is the story as seen through the eyes of the narrator.  The most common narrator is Third Person Limited, (not his real name), followed by Third Person Unreliable, which was someone I once dated.   Third person POV is the simplest way to tell a story.  But writers can still get it wrong.

We are reasonably intelligent, even talented people. Why the confusion over point of view?

Film and Video games are part of the confusion; they are hell on   POV.

Film gives you the long shot, shows other people that the main character cannot possibly know or see.  Film gives you zooming perspectives close-ups ups.  Film mixes it up.  Film shows us who and what is around the corner.  Film gives us the character motivation visually.  We are used to knowing everything.

Video games are even better at violating POV.

You already know the cast of characters and their motivation and strengths because you reviewed them all before starting the game. When they pop up, you already know stories, motivation, and moves.

Great for a game.  Great for a film

Crappy for a novel.

If we already know everything, what is the point of the journey?  So how do we keep the point of view clear in our novel?

Here are some ideas:

Cleaning up POV

  • Does your character suddenly know what the other character is thinking?
  • Are you creating scenes of action or explaining motivation?
  • Is there action that accompanies the dialogue?
  • If the view from above a little mixed up?
  • Have you decided on who is filtering the story and sticking to it? Readers will forgive a great deal, but not an author who violates his or her own world.
  • In reviewing your second draft, ask the question, how does character A know that about Character B?

Solutions in the first draft

  • Write the action from one point of view, all the way to the end of the story.
  • Then write the same story from the other character. Now put them together. Sometimes all it takes is for us to be clear in our own heads who is talking to whom.
  • If each character has a secret, and a history, that helps keep each one clear in the reader’s mind.
  • Also if the other characters do not know the secret, then that will help notify you as you write if you’ve overstepped the POV and suddenly switched to mind-reading.
  • Be clear. Stay in the right head, stay with the right character. And everything will be okay.

First, let’s confuse the whole issue.  In her great book – Shoot Your Novel, CS Lakin advocates that writers behave more like directors and “shoot” scenes in your books.

One, because it will help make for a more interesting book and two because your readers are quite familiar with the jump cut, the fade out, the high point of view, the close-up.  We are steeped in visual storytelling, so if you can capture some of that essence in your book, you will be well served, and we hope, well read.

To summarize:  Is the scene a fully formed scene?  Can you clearly “see” the action or is there something lacking?  Did you mention the right things that will pop up in later scenes?  Is the heroine described well enough, is the villain described well enough?  And of course, in the second and third edits, did you write it all down or did you assume a few things because they are so embedded in your head?

That said, as you view your work with the eye of a director, what are the pitfalls of this approach? One of the pitfalls is point of view confusion.

Point of view is the relative identification of the narrator with the character.  Point of view is the story as seen through the eyes of the narrator.  The most common narrator is Third Person Limited, (not his real name).  Followed by Third Person Unreliable, which was someone I once dated.   It is one of the easiest ways to tell a story.  But writers can still get it wrong.

The third person view “sees” all the actin and knows what each character thinks and feels.  The trick is to make sure the thinking and feeling happen in different paragraphs.

So the problem becomes:  Glen opened the door, oops, there was Melissa, awake, fully dressed and angry that he was once again, late.

How does Glen really know what Melissa is thinking?

Glen opened the door, there was Melissa, still fully dressed, clutching an empty glass.  She lifted it as if to throw it, but changed her mind.  “Late again.”  She spits out.

Third person limited is akin to Third person omniscient, which, just as the label indicates, means that you, the reader along with your handy God-like narrator, know everything.

Glen knew that Melissa would be angry, he had of late, made it a habit of arriving home at all hours, this could be because of his growing ambivalence about the relationship, this was clearly his way of rebelling against Melissa’s controlling nature.

Mellissa waited at home, frantic because Glen was late. Why did she always take up with unreliable men?  There must have been some issue in her early childhood.

But First Person Unreliable is the most fun.  The story is told by an idiot signifying . . . sorry.  The story is told by a character deeply entrenched in the story itself.  The only views the reader knows are those of the narrator. The narrator cannot read minds, he or she can only respond to what they think they see and what they observe.  This helps build characters and keeps the plot on track.

I was late.  I’ve been late a lot, but Melissa didn’t need to take it so personally, I just like being out with my mates.

“Where have you been?”  She shrieked as soon as I opened the door.  I ducked as a scotch glass hurled by my head.  It crashed on the far wall.

“Not that late.”  I protested.

She dropped her hand and looked at me with what?  Pain?  Disgust. Sex, she definitely wanted sex, I could tell.

See?  How much more fun, especially when the narrator is so very, very wrong.

Seems pretty straightforward.  Why all the confusion?  Just pick a character and stick with him or her.

Ah, the reason we have such a difficult time with POV – Point of View, is movies.

Film gives you the long shot, shows other people that the main character cannot possibly know or see.  Film gives you zooming perspectives and close ups.  Film mixes it up.

And so we reasonably try the same in our novels and stories.

Doesn’t work as well – the grammar police, our editors call us on it every time – if we are lucky.

Newbie

I think that just about covers it.

Prompt

“So long as you write what you wish to write, that is all that matters; and whether it matters for ages or only for hours, nobody can say.”

Virginia Woolf, A Room of One’s Own

What do you write for publication?  What do you write for the heck of it?  Are they two different activities?

Give yourself a couple minutes and write exactly what you want.

Don’t Write Like We Talk
What we learned after five years and 200 episodes
interviewing Authors and Agents, Publishers and Poets

Damien Boath & Catharine Bramkamp
Authors and podcast producers of the Newbie Writers Podcast

Learn more about writing:
Newbie Writer Podcast on iTunes
Don’t Write Like We Talk – on Amazon
Like us on Facebook – Newbie Writers Group

What Sells? Genre

Warning

This blog is from our book, Don’t Write Like We Talk, which in turn,  is not a compilation of podcast transcripts (Newbie Writers Podcast), hell, it’s not even our show notes.  The book is a collection of blogs, essays, and presentations that capture the essence of what we learned in the last five years and what we want to pass along to new as well as experienced writers.  And in the spirit of the project – read here twice a month and you can learn everything we know for no financial outlay.  Be our guest. 

  

Genre sells Don't Write LIke We Talk

Non-fiction/ how-to sells.

How to make money sells.

Non-Fiction books on how to write genre books and make lots of money  sell the best.

We don’t get many questions about genre, and the essence is covered in the price of a best seller. I think because I write genre fiction, both mystery and science fiction and, if you will, YA – Young Adult, I assume that since I know and write the material of the genre, most of my readers are familiar with the types, the rules and how to do it.
There are more books than is probably prudent to shelve on the subject of genre. How to write a killer mystery, For Love and Money, etc. Follow the writing advice of CS Lakin in the Twelve Pillars of Fiction or Beth Barany’s Adventures of Writing, or Elizabeth Sims Writing a Book is Easy and you’ll be covered in the genre field as well.

Genre fiction falls into the same category as Doritos Nacho tortilla chips. Compelling, delicious and addictive. You must eat until the bag is empty. A well-written genre book is exactly the same. And who wouldn’t want to produce an established addictive product? It worked for Starbucks, it can work for you.
Genre fiction is not famous for its insights or erudite comments on the human condition. These books are not novels in the way we understand literary fiction. Genre books are plot driven. The characters are big and beautiful. The story is fairly straightforward. The narrative is linear, there are few tricks or sleight of hand. Tell us a good story. Tell us again and again.
Women are the readers of genre fiction. Some read 3 or 4 books a day (many are reading romance at this rate). They love the books, they are loyal fans, they show up at conferences and cheer their authors on to write more and more.
These fans are online. They will talk with you and deliver feedback. It’s all beautiful and it can be overwhelming.
The secret to genre writing is you must love the genre. You must read the genre yourself and know your favorites and know your competition.
You must be absolutely sincere and entrenched in your genre both to create a decent book and to create a decent existence. If you are not prepared to troop down to Comic Con in San Diego dressed as your lead character in order to hand sell your latest book, don’t write in the genre.
Reading the genre also allows you to absorb the tropes and conventions of that genre. Ideally, you know, in your very bones, what a good romance or horror novel entails. It should come naturally and it’s a deep knowledge that is difficult to fake, difficult to follow along in a how-to book. Dare we suggest that it should be fun?

I tried writing romance. I tried it for all the wrong reasons, it was supposed to be easy, it was selling, it was a way to break into publication.  I bought a couple of how -to books. I followed the formula.  What could be easier?
Winning a monkey knife fight would have been easier.
Giving birth to large-headed children was easier.
It was a total failure. Because I did not believe in the redemptive and total triumph of love over common sense. I did not believe that the strong, silent, misunderstood hunk of a man could be changed by the lovely, spunky girl. I did not believe in sincere dialogue and wet weepy eyes.
It did not work for me at all.
But finding a dead body in the bathroom of an empty house? No problem at all. I realized, after many starts and stops that I should write what I love to read. And I loved mysteries and science fiction books.
I knew the rules of those games. And played them much better.
Know the rules, know the styles, then rush out and invent your own twist on an established genre.
For writers, genre is an easier format to attract an agent.
It’s easier to find an indie publisher.
It’s easier to publish yourself and still get the attention you need.
It’s easier to sell.
It’s easier to find the conferences to attend
It’s easier, much easier, to find your audience.

You just gotta love it or your everyday writing will be a bore and a chore. And since that is what you are really doing all day, make it worth your time. Make it enjoyable. Be proud of what you write.

Newbie
Please don’t write something based on a genre you think will sell, or make you money. We have had plenty of guests who have written a book because it’s the hottest topic out there. Write a genre you understand and most importantly, a genre you like. I am a firm believer in writing what you are influenced by because the resulting story will be more genuine, it’ll have all the common tropes you have read from other stories and most importantly: it’ll be true to that genre.
I would suggest writing the story that is in your head as the genre will shine through during the writing process. It may end up a mixture of genres, horror and romance, fantasy and westerns… who knows. You’ll find a fit for your story.

Don’t Write Like We Talk
What we learned after five years and 200 episodes
interviewing Authors and Agents, Publishers and Poets

Damien Boath & Catharine Bramkamp
Authors and podcast producers of the Newbie Writers Podcast.

Learn more about writing:
Newbie Writer Podcast on iTunes
Don’t Write Like We Talk – on Amazon

Writers Conferences How To

Warning

This blog is from our book, Don’t Write Like We Talk, which in turn,  is not a compilation of podcast transcripts (Newbie Writers Podcast), hell, it’s not even our show notes.  The book is a collection of blogs, essays, and presentations that capture the essence of what we learned in the last five years and what we want to pass along to new as well as experienced writers.  And in the spirit of the project – read here twice a month and you can learn everything we know for no financial outlay.  Be our guest. 

   

How to Rock a Writer’s Conference

There are many conferences to choose from. And those wonderful conferences are often held in fabulous exotic locations. Who wouldn’t want to spend two weeks on the beach in Mexico “writing”?   

Don't Write LIke We TalkWriting Conferences are shorter and less expensive than earning a full-blown degree in creative writing.  By a number of years.

But even though they are shorter, some Conferences only less expensive than a low-residence MFA by a $1,000 or so.

I know reasonably famous authors who love to travel and so attend as many conferences as they can be explaining that they “write off” the trip on their taxes. Yes, you can claim a writing conference as a business expense. But you still need to pay for the flight, hotel and food up front with a cold, hard Master Card, so let’s not kid ourselves and call it a savings, or even clever financial planning. Conferences are expensive, both for the speaker and for the attendees.
So choose wisely.
Advantages of attending a conference:

There are many conferences to choose from. And those wonderful conferences are often held in fabulous exotic locations. Who wouldn’t want to spend two weeks on the beach in Mexico “writing”?
Writing Conferences are shorter and less expensive than earning a full-blown degree in creative writing. By a number of years.
But even though they are shorter, some Conferences only less expensive than a low-residence MFA by a $1,000 or so.

Disadvantages:
Writing conferences are not immune to the techniques of the most expensive and obnoxious sales pitches that claim that you can, in no particular
order: Instantly build your business! Learn the techniques of the stars! Double
your income! Double your life! Three days of excellence! Save $100 when you
register now, now, now!
All for the low, low price of $2,000 for the conference, $1,500 for the hotel
room and $16.00 for the glass of indifferent Sauvignon Blanc. Not counting gas.

You don’t care.

Writing conferences should be approached with caution and purpose.
Before you save all that money and sign up for a conference TODAY, SAVE
NOW, consider what you want from the conference first. Do you want to just experience the conference life? Do you want to meet an agent? Do you want to spend a week working with a particular author or poet? What are the takeaways? Or, as my husband insists on asking, what is the ROI?

There are writing conferences, like the San Francisco Writer’s Conference. And there are workshops, like the Squaw Valley Workshop, the Napa Valley Workshop, and a summer of Iowa Workshops.
Workshops are typically focused on writing and craft. You, as a participant are vetted and often need to submit your work in progress before gaining entry to the workshop.
You will stay in a lovely place, meet with a famous author for five or six days in a row. Make new friends, and write. At lot.
Workshops often include dinners and evening lectures.

Conferences focus a little on craft and mostly on promotion and publishing. These conferences have no barriers to entry except time, money and space. The SFWC for instance sells out early due to limited space (the conference is held at the Mark Hopkins in SF, and it’s small, as conference spaces go).
You will have a chance to learn about craft, the writing life, and listen to the popular lecture, I am famous because I was really lucky. Often a version of Agent Speed Dating will be included.
There are lunches and dinners, often at an additional cost. There are often receptions and after-hours activities at no additional cost.
If you are just considering this writer’s life, or life-style, a local conference will do just fine. Look for a writer’s conference close by to reduce the cost. Unless you very much want to experience Iowa in the summer.

Know your goals:
If your goal is to just go and experience the writer’s life, that counts.

However, if you have a purpose, state it. Know what you are going for. Do you long for contact with real literary agents? Look at the list of agents participating in the conference. No agents at this one? Don’t go.

If a favorite author is the keynote speaker and you want to see her (maybe meet her, maybe get a book signed) before she dies. Go.
Make sure she is really on the schedule. Are there words like “possible,”?
“chosen,” “may show,” “they drove by our office and that counts?” If the famous author appearance isn’t guaranteed, stay home.

Do you want to get down and dirty with real editors who will really review your fabulous manuscript? Is there an additional cost to meet with an editor?
Again, check out the conference list and know that often those meetings with editors or agents are by reservation only and may even take place the day before the actual conference, so check that carefully, or you’re into the expensive hotel for another day — and another glass of wine.

Do you want to meet publishers directly? Is there a list of publishers shown on the conference flyer or website and will they be there? Or are they attending just to sell off inventory? Who are the publishers? Do you recognize their companies or are they all from the Author Solutions where they will cheerfully guarantee that, of course, they will publish your book — it’s only $4,500 for the basic package.

There are some fabulous conferences for writers, and most conferences are held during the summer months because they meet at college campuses. You can travel to Iowa, you can travel to Adelaide and all places in between.

What to do once you are there.
Make friends with other attendees. I know you want to meet that famous person, that famous author, that agent! You want to make friends with that agent!
Meet them. Shake their hand. That’s going to be the extent of it.
Who you really should make friends with is that woman sitting next to you. You, the members of the audience, are often in the same boat. Make friends with these people. They can be the first members of your new writing critique group. Or a mutual promotion group (you support each other’s book promotions). You will likely see them again next year if not sooner. This is your chance to create real connections, not with the authors who have already succeeded, but with authors who, like you, are working their way through the process. Meet and greet, this is your tribe.

What not to do
I speak at conferences and I volunteer at conferences. I would like to nip a few bad habits in the bud if I may.
Here is what drives speakers and volunteers crazy:
Conference attendees who march around with their manuscript thrusting it at unsuspecting agents, author and volunteers like a weapon.
Conference attendees who have nothing to say except to complain about the food. It’s banquet food. It’s not gourmet fare and wasn’t advertised that way in the first place. The food will keep you going. It’s the best that can be had for the price. If you are a gourmet chef, you may have something to comment on, otherwise, the cost of your meal is paying for the room, the speaker and the wait staff, not just that chicken breast sprinkled with two olives and some rosemary. If you can cut the chicken with the knife provided, it’s a win – get over it.
Conference attendees who waste valuable networking opportunities bitching about their room or roommate.
Conference attendees who meet a pre- published author and dominate that conversation by bragging about their own agent, their own six-figure advance or their movie deal. If you are that famous and successful, what the hell are you doing at a conference? Move on to a TEDx conference and deliver your ‘I’m- Famous- Because- I- Was-Lucky talk there’.
Name dropping, especially if you’ve only heard the name, not met the actual person.
Not helping. Help people, encourage that young girl to speak to the agent. Help that small elderly lady find the workshop room.
Here’s what I really hate, the author who stands up during the five minutes Q & A and delivers a lengthy autobiography and/or lengthy descriptions of his upcoming book plot that, surprise, people can purchase from him at the end of the lecture. Do you have a question? Is it relevant? Then ask. But this is not the place for grandstanding. It’s an effective way to be remembered. But you will also be stabbing that chicken breast all alone.
Not having a 30-second elevator speech to promote their book. A word about this. The reason you want to have a 30-second summary of your work in project ready to go is to prevent you from wasting 30 minutes explaining the plot to me. Summary is good – blow by blow is bad.
I dislike conference attendees who disrespect the volunteers. First of all, it’s just bad behavior. Second of all, you don’t know who is volunteering. Many of volunteers are also speakers, or agents, or friends of the conference organizers. There is nothing worse than meeting an agent during an agent speed dating session and realizing, with some horror, that fifteen minutes ago you handed them your dirty coffee cup and told them to put it somewhere.
Conference attendees who stalk agents to the point of pushing their manuscript under the stall door in the women’s room.

But even the best conference will not help you if you don’t know what you want. And the best agents and editors can’t help you if you don’t have a completed or mostly completed manuscript to send them.
So before you sign up and buy the plane tickets, get focused. For all the money you spend, make sure there is a purpose to your conference experience. Write down the deliverables and try to full fill them during your two or three days. If you just want to have fun – fly to Hawaii. Or Australia, Australia is very nice.

Newbie
Never been to a writing conference before, certainly not paid for one. From an outsiders’ point of view, it seems like a good way to waste money and valuable time you should be writing. Perhaps this would be classed as “research” by some?
Prompt
Write a dialogue between two of your favorite characters. Snow White and Cinderella, Eloise and Ramona, Batman and Superman. Or think of your childhood favorites, what are they doing now? Write up fan fiction that fills in the grown up life of a character like Pipi Longstockings, Richie Rich, Bart Simpson. Do it well enough and you end up with a block buster like “Wicked”

 

Don’t Write Like We Talk
What we learned after five years and 200 episodes
interviewing Authors and Agents, Publishers and Poets

Damien Boath & Catharine Bramkamp
Authors and podcast producers of the Newbie Writers Podcast.

Learn more about writing:
Newbie Writer Podcast on iTunes
Don’t Write Like We Talk – on Amazon

Don’t Worry, Write Anyway

In her book, Fierce on the Page, Sara Cohen  insists that authors be happy first no matter where they stand on the fame and fortune continuum.  This belies our whole tortured artist myth, that validation, and accidentally, happiness can only be achieved with publication the sharp spires of which beckon  as our own shinning  city on the hill.  This is about as true as black being flattering to all complexions.

You seem both shocked that contrary to fashion magazine claims, the little black dress isn’t universally perfect, and shocked that the end of the rainbow does not lead to a pot of gold, or happiness.  I understand.  When my first book published.  I felt satisfaction, pleasure, had a celebratory drink and immediately  had to get to work because promoting a published book is critical, required,  and lead  to increased crankiness.  Not happiness.

If that is true, how can a writer possibly be happy?

The first strategy is to understand our mythology.  Our favorite myth is that all writers want to be published.  And all published authors are happy.  More specifically, published authors are happier than YOU.   This myth perpetuates the erroneous idea that  all our work will be in vain if we don’t publish.  And not just any publisher, our work must be published by one of the big 5, 4, 3 – the only traditional publisher left.

What if the writing itself makes you happy?   

  Write HappyI am a life-long writer, can’t help it. The work may change, but the process stays very much the same because I love the process.  My goal for writing is that the work will increase in satisfaction and flow the more I do it.  I want the writing in my 80s to be even more satisfying than writing in my 50’s  which is considerably more satisfying than writing in my 20s was. In my twenties, I wanted to have written. I wanted the finished project and the imagined all the acclaim and satisfaction that a published book would bring.  In short, even though the actual process was miserable and difficult, I knew I would be happy once the damn thing was finished and published.

I ended up dropping the awful novel ( A romance. I am not a romance writer evidenced by the excruciating process) in favor of planning a trip to Europe.  Better use of my time.  I remember the trip, it made me happy.  The only thing I remember about that novel was the rejection letter.    

Concentrate on the process – the hours you will spend on creating your work.  Are you happy in those hours?  I’m betting you are.  That’s the happiness. That should be the goal: doing what makes you happy, not waiting in vain for validation from strangers.

So what will make you really happy?

Do you long to announce your book project at family dinners to show you are creative, erudite and introspective?

Will holding the title – Writer – make you more important?

Will adding writer to your Linked In account give you a thrill?

Will wearing the writer’s costume give you deep satisfaction?  (Note, the writer costume does not include a cape, rather it often consists of an old college sweatshirt and yoga pants covered in dog hair) (But being able to wear yoga pants all day confers on many of us, tremendous happiness).

Some writers are happy to have something to do while sipping their lattes at Starbucks, so an afternoon in a cafe noodling around on your laptop, feeling part of the tribe is time well spent.

If explaining the plot of your yet unwritten work delights you.  Then do that.

If endlessly editing your epic poem from 5:00 to 6:30 PM every weekday soothes your soul.  Do that.

If you can turn yourself into a writer who loves the process, and revels in the zone of writing, the doing of it, you will truly win this game.

Whatever you do, don’t believe that publication will lead you through to the beautiful sunset into which you will walk, sunlight streaming from your slender limbs, all troubles and cares erased from your now bright future.  It won’t.  Publication ends up being just one more damn thing to do.

Finding happiness in your work, in the beauty and wonder of putting words to the page, that will last forever.

So stop worrying and just keep writing.  That will make you happy.  Promise.

To learn more.
Visit us on iTunes – Newbie Writers Podcast
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Grinning Gargoyles and the Sensitive Artist

All bad poetry springs from genuine feeling. To be natural is to be obvious, and to be obvious is to be inartistic.

Oscar Wilde

When Poetry goes GargoyleWhat if you wrote a beautiful poem and you feel strongly that this is the truth. It is the truth because it reflects exactly  what you felt at the time. It is the truth because it welled up from the very depths of your soul.

What if there was just one tiny catch.

The beautiful poem is one enormous, looming, unattractive, grinning cliche. A gargoyle perched on the edge of the cathedral, it’s soul-less purpose to channel rain and stream it out as  unfiltered liquid drenching unfortunate pedestrians below.

Most early writers don’t realize they’ve written a bad poem or a derivative novel.  And that’s okay, as long as the artist in question is willing to fix their work and channel all that creative flow back into making the work stronger.  But some aren’t.  Some remain gargoyles.

I’ve recently encountered two writers who embody this particular kind of gargoyle – the sensitive artist.

The teen who knows everything.

The poet who knows even more.

When we start writing, it’s all new.  Ah, this is love, this is hate, this is marvelous.  We write it down, it’s new and perfect.  But  maybe we don’t realize our brilliant metaphor, our story, has been done before.  Likely since Homer heard about it in an Athens cafe.

So where does that leave the artist, or rather, the emerging artist?

I would argue that great writers are always figuring out, learning, and improving their craft. What Was missing with my two emerging artists was the confidence that a person can be a great artist, yet still (always) benefit from feedback.

Also,  there is no such thing as a completely original thought. Get over it.  But there is such thing as your voice, your unique view of the world.  Your choice of words.  Just do a quick check to see exactly who went before you, be they bad, great or gargoyle.

For the whole fabulous article   

Your Book Starts Here web siteTo learn more.
Visit us on iTunes – Newbie Writers Podcast
For the greatest yet unassuming information on writing and social for authors
Subscribe to the blog
Sign up for the quarterly newsletter
Follow us on Newbie Writers Group on Facebook
Instagram #catharineBramkampWriter
Pinterest Catharine Bramkamp
And THANK YOU

The Fun of Fake Research and How to Avoid It

We know what we believe and no pile of facts or expert opinions will propel us out of our comfortable Lazy-Boy of certitude.

But we are missing one of the greatest joys of writing: research.research in times of Fake News

Even if you disagree with every fact you uncover, research is fun, researching for a book or article can become the project itself, every bit as agreeable as an afternoon spent on Pinterest.

Oh look, puppies!

I teach a class on critical thinking and writing so much of my rant about research and the veracity there in, is to prevent students from  quoting urban legends or common wisdom, or FOX news.  Yes, you say, still seated comfortably, perhaps pulling a beer from the cooler embedded into the chair arm, but research is just for academics, I write fiction, no need to research, it’s my world building against yours.

That was BG.  Before Google.  In the happy past, women knew their place, white men made a living wage tightening wing nuts and  fiction writers used to be more or less exempt from research, it was our world after all, get over it.  But like the wing-nut tightening business, the industry changed.     

Everyone can look up everything.  Which means that you, the author, need to be more diligent with your facts and claims and yes, do more research, which will lead to the problem stated above, the more you love the research, the fewer words will end up in your final book.

So we have two challenges:  You need to do research, but  the research will quickly take on a life of its own through no fault of yours (puppies).

What to do?

  1. Haul yourself out of the recliner.
  2. Limit the research to three credible sources.
  3. Look for consensus and then just write from there.

Credible?  How the heck can I know what is credible?

Ask a couple of questions about the site, or journal, or white paper you’ve just encountered on your digging search:

Commercial or Academic? 

Is the information you found   just advertising copy?  Double check against another site to be sure.    

Links to corroborating sites.

Look for links to other sites – often academic and legitimate sites cheerfully link to more information or to deeper sources.  Flow the links from  one site to the next to next.

For an academic paper your goal is to find the original sources, kind of like finding the source of the Amazon.  Sometimes it feels like it takes that long as well but it’s worth it, just to be very clear.

Can you find the original article? ( I’m looking at you Huffington Post.)

Dig deep and find the original article or journal rather than just believing, and quoting, the first time you see the comment.   

Yes, you can start with Wikipedia

Believe it or not, as much as academic denigrate Wikipedia  Wikipedia isn’t a bad way to start  your research.  Just don’t end there.  Ever.  Yet, the OED was essentially crowd sourced, and Wikipedia is gaining legitimacy.  However, I’m still a fan of digging deeper.

Contact the author.

Is there an email?  Can you contact the author of the web site or journal article?  Can you ask them a direct question about what you need to know?  Probably. Give it a try. You know yourself that you love to be considered an expert in your field, give that compliment to another author, they may respond with   great information.   

Or did the author of the web site post  a selfie  wearing a colander covered in tin foil? A professional tip: don’t reference that site.

If you are writing  fiction, you may want to write the novel first, then research only what you need to research. That will help narrow your search and allow you time to actually write, rather than  just research as fun as it is.

Oh, and did you know you can create pin boards that track your research, discuss your work in progress and are all about your book?   Sorry.  Now you’ll never get that book started . . . But aren’t the puppies cute?  Make a Pinterest board.

Your Book Starts Here web siteTo learn more.
Visit us on iTunes – Newbie Writers Podcast
For the greatest yet unassuming information on writing and social for authors
Subscribe to the blog
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Instagram #catharineBramkampWriter
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And THANK YOU

The (rocky, pot holed, traffic prone) Road to Publication

The Road To PublicationI am quite good at helping clients achieve their dream of publishing.  I have helped launch strong, successful writing careers which I follow with great satisfaction and even delight.

My own publishing story is different.

Maybe I should hire myself.

My publishing journey is not a three hour trip skimming over the smooth interstate of luck in a BMW convertible . My journey, so far, traverses over a a barely discernible track  through burned and denuded prairies.  My journey is more like riding in the back of a used Chevy through the Bonneiville flats with no AC while clutching a sticky Slurpee meant to last until Salt Lake City, but doesn’t.

If you want to feel better about your own rocky trip to publication, here is mine. Don’t compare, just know you aren’t alone.

The brief version of my trip so far: 

Two books, Future Girls and Future Run, were accepted by a local (to me) publisher Eternal Press.

Eternal Press then  sold to Caliburn Press (not local).

Caliburn Press’s publisher appeared on Newbie Writers Podcast.  Nice man, sincerely interested in doing the best he can by his authors.

Two more Future Girls books were accepted by the acquisition editor at Caliburn Press.

A year later – nothing.   

The books were not edited.  The books already published and purchased were not promoted. In fact the published books were no longer even available on Amazon.  It was like death.

Finally, the publisher offered to all the authors that he was willing to sell back our rights should we want to.

I wanted to.

Now I had four books with no where to go.

I sent off the descriptions to an agent, who respectfully declined.

I sent off the proposals to a service, Publishers Agents and Films.  For a fee they submit a proposal to a set number of publishers (I asked for publishers).

That is the current new route for Future Girls.

While I was waiting around for the hand off from publisher to publisher for one set of books,  I wrote a book with my podcast partner, Damien – Don’t Write Like We Talk.

This too was accepted for a new (some would say overly ambitious) imprint of Caliburn Press,  we were thrilled and even walked through a set of edits.

Yes, you guessed it because you already had looked up the destination on Google Maps.  Nothing happened.  We went no where.  Fast.

I bought back the rights to that manuscript as well.

What to do?

Agent?  Publisher?  It’s a writing book with a rather unique slant, where would it fit?

I stumbled upon a micro grant program called Awesome.  One of the grant chapters originated in Adelaide, home to my podcast partner.  I applied to the $1,000  grant program to pay for a book cover design, interior design and publication (ISBN, a small print run, Facebook and Pinterest ads). 

I just applied yesterday.

Some authors are lucky.  They take a hike, knock out a first draft, sell it to  Hollywood for tens of thousands and hit the book tour circuit delivering advice on how to write a best selling book. Their path is clear and free of axle bending potholes (shout out to Petaluma, CA).

I find publishing looks less like the Bat-mobile and more like the car  in Beverly Hillbillies.

This is the middle of the saga for a series of books and a single how-to book.  The process involved many hours of writing the books, managing the 217 episodes of the podcast, managing what seemed a dream collaboration that then disappeared.  Not with a bang, but a whimper.

Don’t feel bad if your first effort wasn’t greeted with a parade and a band.  If everyone you mentioned your project to said – meh -.  I’m here to tell you it just takes another try, a different angle, pursing another opportunity that is different than what you initially thought you wanted.  Take the detour, take the alternative route away from the traffic.

I know it works for my clients.  I’m working on taking my own advice and will let you know if the alternative route leads to if not my intended destination, at least a comfortable rest stop.

Your Book Starts Here web siteTo learn more.
Visit us on iTunes – Newbie Writers Podcast
For the greatest yet unassuming information on writing and social for authors
Subscribe to the blog
Sign up for the quarterly newsletter
Follow us on Newbie Writers Group on Facebook
Instagram #catharineBramkampWriter
Pinterest Catharine Bramkamp
And THANK YOU

Social Media for Authors

How to keep writing

I’m teaching a seminar on Social Media for Authors at the Sierra Writer’s Conference this January 21 in Nevada City, CA

One of the more overwhelming aspects of marketing your book is managing social media. Think of Social Media as an exponential tool: focus on creating 100 fans, and those fans will share with their 100 fans, and those fans will share . . . well, you get the idea.  Since there is no such thing as the best social media channel, learn which one will work best for you and your project.  We will also discuss what to say, how to say it, and most importantly – why do this at all? 

Sign up today!

The Agent Pitch

How to pitch to an agentI had requests to post the notes from the workshop I just gave for Agent’s Pitch Day.  Here they are.

Congratulations, you are here to move your book forward – this is exciting and a wonderful opportunity. And nerve wracking.
I am here to help you make the most effective use of your five minutes with these lovely agents and publishers.
They are here to find great ideas, great books and great authors. Remember this is a business. They want to be able to sell you and your book to it’s specific public.

They are looking for the right fit.

So know, right now, that this isn’t a beauty contest. This is not a win/lose activity. If there is a fit – celebrate! If there are no fits, you’ve learned valuable information and can make more choices for your book publication life later this afternoon. After dinner. Maybe after a bottle of wine.

Here, from Andy Ross, is what these Agents and Editors would rather not hear

• Reading from Note Cards
• Presenting a memorized talk
• Explaining the entire plot of the book
• Telling the agent that this is the next best seller
• Telling the agent that your book will make a great film.

Here is what we will help you with.
• Figuring out and delivering what your book is about which is different than the plot
• Delivering that essence of the book and your platform in a few words.
• Expressing why you are uniquely qualified to write this book – your qualifications.
• Creating an answer for promotion.

Don’t worry about perfection, that’s not the point

Agents are here because they want to see you in person, so as much as you can, be yourself.

Just in case you end up before an editor who did not list your subject in their “want” list, talk to them anyway. Use your 5 minutes to ask them what they are looking for. What is selling? What genre is hot and what is the up and coming genre? Do they know anyone who would be interested in your book?
Tell them a bit about your book anyway.
Breathe.

What is the book about?
Social justice?
Sex, Drugs and Rock and Roll?
The clash between expectations and reality?

Rather than list off plot points in chronological order, what is the book’s essence?
There is a reason films cycle around a single idea or protagonist. We can say, Oh Spiderman, and we are done.
How can your idea and book fit into that tiny frame?

Who are you? Have you won awards? Hiked through the desert?
Do you have a massive Social Media following?
Why are you uniquely qualified to write this book?

Platform, this is the overall reason you wrote a book. Platform is also something on which to build a promotional campaign.

Elements of a good pitch
Hi my name is XXXX and I have written a novel based on my experience doing or being XXXX the novel is about a boy, a girl and social enlightenment and will appeal primarily to female readers who buy both e-books and hard copy novels. I already have a following of 10,000 on my blog of the same name. Would you like to hear more?

Hi, my name is Catharine and I’ve written a YA Science Fiction Time travel book series Future Girls featuring female heroines who escape to the past to change their future. I am passionate about delivering the message that teens can change their future by what they do right now.

I am a college professor with two degrees in English and am growing my Facebook Instagram and Pinterest following using both organic and paid advertising in order to increase interest in these books.

To learn more.
Visit us on iTunes – Newbie Writers Podcast – new episodes start again in January 2017
Check out our upcoming book Don’t Write Like We Talk that will be published eventually. All you need to do is wait . . . Like us.
Subscribe to this blog
Or just follow me on Newbie Writers Group on Facebook
And Instagram #catharineBramkampWriter
And Pinterest Catharine Bramkamp
The theme is, Catharine Bramkamp

First Step towards Writing a Book

Don’t Write Like You Talk
What I learned from agents & authors, publishers & poets

Clients often ask, what are the steps to writing a book?

There are steps and there are steps.  Writing is personal and interesting and quirky. That is why there are so many books about writing, that is why there are so many suggestions, that is why I’m part of the problem.Article on the first step to writing a book

When you are stuck writing – and if you’re reading this, you are, mosey over to Pinterest.  There are countless Pinterest boards devoted to writing – from pithy quotes to fabulous infographics on how, what, who, colors, better words that “said”, better words that “you”.  A nice selection of information and help.  I have Pinterest Boards on writing so you can check them out. But I’m not the only writer on Pinterest.

In case those  nifty infographics do not inspire –  here is the first basic writing step.

(Just to continue the metaphor – no one learns to walk without falling down. A lot.

Remember that as you take those steps towards your writing project.)

Step 1 – start small with embarrassingly low stakes, goals and expectations.

I’m not kidding. 

Examples of good first step goals.

  • Today I’m going to think about my writing for ten minutes while standing in the shower
  • This month I will write for 1/2 hour.
  • I will stop talking about my novel (since I suspect my friends are bored with the plot already) and instead write down all the ideas that I like to discuss when well into my fourth handcrafted stout.

You may think, that’s just insane, those aren’t real goals, I have never seen an infographic listing goals like that.

Yes they are. Any activity that gets  words out of your head, out of your summary speech for the academy awards which you know by heart, and onto paper, is a good activity.

Start there – take an initial step, clutch the back of a chair for support.  Then tune in for additional steps right here.

To learn more.
Visit us on iTunes – Newbie Writers Podcast – new episodes start again in January 2017
Check out our upcoming book Don’t Write Like We Talk that will be published eventually. All you need to do is wait . . . Like us.
Subscribe to this blog
Or just follow me on Newbie Writers Group on Facebook
And Instagram #catharineBramkampWriter
And Pinterest Catharine Bramkamp
The theme is, Catharine Bramkamp